Steve Cushing Impresionist Fine Art Photography

Steve Cushing Impresionist Fine Art Photography

Embracing imperfection, recording emotions, one impression at a time…

Focal Length

Please read the section on how lenses work first. LINK here to this section.

Focal length is the measurement of distance (in millimetres) between the point of convergence of your lens and the sensor recording the image. The focal length range of a lens is expressed by a number, and that number tells you how much of the scene your camera will be able to capture. It is not a measurement of the actual length of a lens, but a calculation of an optical distance from the point where light rays converge to form a sharp image of an object to the digital sensor or film at the focal plane in the camera.

The focal length of a lens is determined when the lens is focused at infinity. See also FLANGE DISTANCE

Lens focal length tells us the angle of view which is how much of the scene will be captured plus the magnification, how large individual elements will be. The longer the focal length, the narrower the angle of view and the higher the magnification. Smaller numbers have a wider angle of view and show more of the scene; larger numbers have a narrower angle of view and show less..

The shorter the focal length (smaller the number), the wider the angle of view and the lower the magnification.

Using your thumb and forefinger on each hand, make a finger frame, and hold it out at arms length.

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Now imagine that your entire field of view is limited by the bounds of this finger frame. Anything outside of the frame is not visible to you.

If you wanted to see a larger (wider) field of view, you have two options.

The first is to move the finger frame closer to your eye. You'll still see the bounds of the frame, but you'll be able to see a large field inside the frame.

This is the analog of moving from the 40 mm flange depth of DSLRs to the much shorter 16–20 mm flange depth of mirrorless cameras.

The focal length of a prime lens is similar to this.

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Primes and Zooms

Today most amateur photographers use zoom lenses. The advantage of a zoom lens is versatility. It is like the ability to move your arms and so change what is shown in the rectangular frame made with your fingers. It changes the focal length. They are ideal when you are photographing a variety of subjects such as landscapes and portraits, and you just want one lens for both situations. Using a zoom lens also reduces the number of times you need to change the lens which saves time and limits the possibility of getting dust in the camera's mirror box or on the sensor. But you will notice that I only use Prime Lenses. The main advantages of prime lenses or fixed focal length lenses is their size and weight as well as their maximum aperture or f/stop which allows me to create better BOKEH (click for more information). Prime lenses tend to be more compact and lightweight than zoom lenses.

Zoom lenses move the optical elements within the lens to achieve the zoom. The design of the lens is thus much more complex in terms of avoiding aberrations.

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Prime lenses also tend to have a larger maximum aperture (f/1.2 to f/2.8). This is an advantage when shooting in low light conditions as it will increase the possibility of hand holding the camera and freezing the subject without shake or blur caused by the longer exposures. As mentioned photographing using prime lenses with large apertures also means you can get a shallow DEPTH OF FIELD (click for more information) which is useful for portraiture where you might want a softer or blurred background.

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So the focal length of different lenses gives us what is called the field of view.

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The images on this site have been taken with a full frame sensor. If you use a camera with a crop factor this will increase the depth of field of all the lenses used and will also change the focal length of the lens. The bokeh will therefore change.

Wide-angle Lenses

Usually range from 14 to 35mm .

Wide angle lenses are ideal for fitting a large area into your frame. This is especially useful for landscape photography or street photography. With wide angle lenses, almost everything is in focus, unless your subject is very close to the lens.

Wide angle lenses are popular lenses for landscape photography, interiors, large group photos and when working in confined situations. They give us a wide field of view.

Focal Length: 14-35mm
Angle of view: Wide
Description: Roughly what a cell phone would capture. Great for street photography.
Depth of field: Pretty much everything is in focus unless your subject is very close to the camera.
Distortion of space: Less spatial distortion if closer to 35mm than a very wide lens at 14mm, but it still makes things seem farther away than they actually are.

Examples of images with wide angle lenses Carl Zeiss 35mm, Sigma 14-24, Pentacon 28 f2.8 and MC Rokkor 24mm (click on lens to see images).

Standard Lenses

Standard lenses are normally 50mm or 55mm and they are popular as they are closest to the field of view we humans see naturally. These lenses also have minimal distortion. They tend to use large apertures and allow a lot of light to enter the lens which makes them fast in low light conditions and give a pleasant BOKEH (click for more information).

Focal Length: 50-65mm
Angle of view: Normal
Description: Roughly the way the human eye sees the world. Good for just about any type of photography.
Depth of field: Easy to have a shallow or deep depth of field, depending on aperture range.
Distortion of space: Very little or none.

Examples: Carl Zeiss 50mm, CZ Biotar 58mm, Rokkor 58mm, Helios 44 58 f2, KMZ Helios 44, Pentacon 50, Canon FD 50, Super Takumar 55 f1.8 and Canon RF 50 (click on lens to see images).

Telephoto Lenses

Telephoto lenses can be anywhere between 70mm to 150mm and are very popular lenses for portraiture and product photography as well as nature and wildlife photography. They allow the photographer to produce close crops on the subject as they have a narrow field of view. In the case of portraiture a telephoto allows the photographer to take the photo at a distance that does not intrude upon the subject. They also increase the BOKEH (click former information) as they have a shallow DEPTH OF FIELD (click for more information).

Focal length: 85mm and 100mm Lens
Angle of view: Medium telephoto
Description: Great for isolating a subject from the background. Good for portrait photography.
Depth of field: Easy to get a shallow depth of field.
Distortion of space: Makes things seem closer than they actually are.

Examples: Rollie Projar 85, Cyclop H3T 85, MD Rokkor 135mm, Jupiter 11 135mm f4.0 , Anamorphic LOMO 110 f2.0, Petzval LOMO 130 f1.8, Will-Wetzlar AV 90, Pentacon 135 f2.8 Pentacon AV 100 f2.8 and Carl Zeiss 85 (click on lens to see images).

Supper Telephoto Lenses

Super Telephoto Lens can be anywhere between 200 – 1000mm.

These types of lenses are great for isolating a subject that is far away. However, such great magnification comes at the price of a narrower field of view. In the same way that you would use a telescope to look at stars and planets, a telephoto lens is used for focusing in on distant objects. Many sports photographers use telephoto lenses to provide a sense of intimacy with the subjects on the field (the players) while standing on the sidelines or in the bleachers.

Focal length: 200mm Lens
Angle of view: Telephoto
Description: Ideal for picking out a distant subject, the way a telescope does. Good for compressing your subject and the background.
Depth of field: Quite often has a shallow depth of field unless everything you’re shooting is quite far away.
Distortion of space: Makes things seem significantly closer than they actually are.

These lenses provide a good range for wildlife and sports photography where the photographer is limited as to how close they can get to the subject and they require a very narrow field of view and high magnification on a distant object. See EF 100-400 f/4.5L IS and Pentacon 200 f4

Macro Lenses

Macro Lens come in a range of formats and are for close-up photography. To be a true macro lens the lens must allow a minimum 1:1 reproduction. Many zoom lenses are labeled as macro but this is not a true macro. This type of camera lens is used to create very close-up, macro photographs. They have a unique design that allows them to produce sharp images at extremely close range.

These lenses allow the photographer to focus very close to the subject and reproduce them at a 1:1 life-size ratio or closer on film or an imaging sensor. These lenses are popular for subjects such as flowers, insects and small products.This makes these lenses perfect for nature photography, enabling you to capture an enormous amount of detail in one image.

Examples of images taken with a macro lens can be found here Canon RF100 Macro

Image Stabilisation

Some modern lenses have built in stabilisation. This reduces blur when the camera is hand held. Elements within the lens are moved to achieve this stabilisation.

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You can now match the sample images on this site to the lenses used and look at the effects of differing focal lengths.

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